New horror movie Blackout: A Poignant and Imperfect Werewolf Tale

Directed by: Larry Fessenden  

Starring: Alex Hurt, Addison Timlin, John Speredakos, Marshall Bell

**Rating:** ★★★☆☆

Larry Fessenden’s “Blackout” is a low-budget werewolf psychodrama that showcases his knack for character-driven storytelling. Known for his impressive work both in front of and behind the camera, Fessenden brings his unique touch to this adaptation of his own audio drama from Glass Eye Pix’s “Tales from Beyond the Pale.”

Plot Summary:

“Blackout” follows Charley Barrett (Alex Hurt), a well-liked but troubled drunk who also happens to be a werewolf. Aware of his monstrous nature, Charley is desperate to end his life before he harms more innocent people. As he roams the exurban town of Talbot Falls, he attempts to tie up loose ends and avoid deep conversations with those he cares about, including his ex, Sharon Hammond (Addison Timlin), and her estranged father, Jack (Marshall Bell). Meanwhile, local police officers Alice (Ella Rae Peck) and Luis (Joseph Castillo-Midyett) investigate a series of brutal murders that lead them closer to Charley.

Character-Driven Horror:

Fessenden’s strength lies in his ability to craft characters with distinct quirks and personal struggles. In “Blackout,” each character’s unique traits and interactions are highlighted, even within the constraints of a low-budget horror film. While some performances are amateurish, the chemistry among the cast members and their character-driven details elevate the film.

Atmosphere and Melancholy:

The film captures a Poe-like sense of melancholy and dread, familiar to Fessenden fans. The standout moments and atmospheric tension compensate for the movie’s occasional lapses into conventional plot elements. The film’s opening scene, featuring a young couple (played by real-life partners Clay von Carlowitz and Asta Paredes), sets the tone with its blend of vulnerability and impending doom.

Concept of "Umwelt":

A notable conversation between Alice and Luis about the German concept of “umwelt” – a self-centered world where everyone is limited by their individual perspectives – encapsulates Fessenden’s approach to storytelling. This philosophical musing adds depth to the narrative, making it more than just a creature feature.

Strengths and Weaknesses:

“Blackout” shines in its character interactions and pointed dialogue, though some lines feel out of place coming from the actors. The film is weakest when adhering to conventional horror tropes, such as the increasing body count and the police closing in on Charley. However, Fessenden’s affection for his characters and their interactions, like the friendship between Charley and Miguel (Rigo Garay), a falsely accused family man, or Earl (Motell Gyn Foster), a silver bullet maker, brings warmth and complexity to the story.

Conclusion:

“Blackout” may not be groundbreaking, but it’s a poignant and often worthwhile watch for horror fans who appreciate character-driven narratives. While it lacks the poetic whimsy of some of Fessenden’s other works, it still offers a fresh take on the werewolf genre with its unique blend of melancholy, humor, and character depth.

Fessenden’s latest film is a testament to his ability to create rich, atmospheric horror that lingers with you long after the credits roll. If you’re a fan of indie horror with a focus on character and mood, “Blackout” is worth a watch.