I Saw the TV Glow: A Haunting Journey of Identity and Belonging

Directed by: Jane Schoenbrun  

Starring: Justice Smith, Brigette Lundy-Paine, Danielle Deadwyler, Ian Foreman, Helena Howard, Lindsey Jordan

**Rating:** ★★★★☆

Jane Schoenbrun’s second narrative feature, “I Saw the TV Glow,” is a mesmerizing exploration of identity and belonging, woven through the static spaces between analog pixels. This dreamlike film captures the essence of finding oneself amidst the haunting glow of television, evoking a sense of nostalgia and a quest for connection that resonates deeply.

Plot Summary:

The story follows Owen, first seen as a young boy (Ian Foreman) and later as a teenager (Justice Smith), navigating the complexities of growing up. Owen’s journey begins with an innocent venture across suburban lawns to watch a show called “The Pink Opaque” with Maddy (Brigette Lundy-Paine), a new, older friend. This show, filled with surreal monsters and slippery mythology, captivates Owen, planting the seeds of a lifelong fascination.

As Owen grows older, he grapples with questions of identity, sexuality, and belonging. His on-again, off-again friendship with Maddy is anchored by their shared love for “The Pink Opaque.” The show serves as a window into Owen’s angst, offering solace and a sense of understanding. His deep connection to the show’s characters and mythology mirrors his own struggles, creating a poignant parallel between his life and the fictional world on screen.

Themes and Influences:

“I Saw the TV Glow” masterfully channels the spirit of shows like “Buffy the Vampire Slayer,” while also drawing inspiration from the introspective horror of Jordan Peele’s “Us.” Through the lens of “The Pink Opaque,” the film examines the suffocating conventionality of suburban life, offering a queer perspective on gender norms and societal expectations.

The film’s narrative delves into Owen’s insecurities, subtly hinting at themes of gender dysphoria and the broader implications of identity in a society that often forces homogenization. The backdrop of Clinton-era America, with its superficial progressivism, adds a layer of social critique, highlighting the curated lies of suburban life and the impact of consumerist fantasies.

Performances:

Justice Smith delivers a transformative performance as the older Owen, capturing the rawness and vulnerability of a young man searching for his place in the world. His portrayal is complemented by Brigette Lundy-Paine’s nuanced depiction of Maddy, whose direct exterior conceals a deep, internal struggle. Together, they bring authenticity and emotional depth to their characters’ journey.

Cinematic Style:

Schoenbrun’s direction is bold and innovative, blending practical effects, evocative cinematography, and daring editing to create a visually captivating experience. The film’s soundtrack, filled with earworm tracks, enhances the immersive atmosphere, while the seamless integration of conscious and imagined worlds adds to the film’s surreal quality.

Conclusion:

“I Saw the TV Glow” is a standout film that captures the essence of youthful longing and the search for identity. Schoenbrun’s fearless approach to storytelling, combined with outstanding performances and a richly textured narrative, makes this film a must-watch. It’s a haunting, beautiful journey that lingers long after the credits roll, inviting viewers to reflect on their own paths to self-discovery.

So, tune in, let the TV glow wash over you, and join Owen on his poignant quest for belonging. This is a film that resonates on multiple levels, offering both a nostalgic trip and a fresh, introspective look at the complexities of growing up.