The Temptations (1998) Movie Review
NBC's documentary about Motown's legendary male hitmakers, "The Temptations," is filled with outstanding performances that could easily be celebrated with gold records. The film, told from the perspective of Otis Williams, the band's emotional and practical anchor, presents each member as talented but troubled individuals. Despite the typical challenges of the 1960s, the Temptations were notably drama-free, emphasizing dedication and loyalty.
The documentary highlights the enduring loyalty among the group members and their commitment to making records. Over 54 albums, 38 years, and four deaths, the film underscores the significance of what Berry Gordy, Smokey Robinson, and Otis Williams created together.
%20Movie.jpg "The Temptations (1998) Movie")
However, despite its chronological narrative and a plethora of hit songs, the documentary falls short in delving into Otis Williams' inner thoughts or the dynamics that fueled the group's success. It's essentially Williams' perspective, portraying him as strong, dedicated, and decisive, with the only comparable figure being Temptations manager Shelly Berger, played by Alan Rosenberg, who also co-produced the miniseries.
In this NBC documentary about Motown's iconic male group, "The Temptations," the filmmakers take a low-key approach, avoiding the sensationalism often associated with the personal struggles of singers like David Ruffin, Melvin Franklin, Eddie Kendricks, and Paul Williams. Director Allan Arkush carefully navigates the 40-year journey, maintaining a documentary feel with little emotional depth, but still capturing the group's ups and downs. The central theme remains: Once a Temptation, always a Temptation.
The story kicks off in 1958 on Detroit street corners, where Otis Williams, played by Charles Malik Whitfield, forms the Siberians with Melvin Franklin and Al Bryant. A chance meeting with producer-manager Johnnie Mae Matthews leads to the birth of Otis Williams and the Distants. The group faces challenges, but after a New Year's Eve incident in 1963, they become the Temptations, with David Ruffin joining the lineup.
The narrative follows the familiar trajectory of Motown success, including the Motortown Revue, hits like "My Girl" and "Ain't Too Proud to Beg," and challenges such as Ruffin's drug issues. Part two introduces Dennis Edwards and delves into the darker side of the group's history, with artistic interpretations of recording sessions and Paul Williams' tragic downward spiral.
Despite script flaws, the cast delivers strong performances, particularly Leon as Ruffin and Whitfield as Otis Williams. The documentary, however, lacks context, offering little insight into the cultural backdrop of the times or the group's extensive musical catalog. Private lives are touched upon, but the focus remains on the group's dynamics. While the ending disappoints, feeling more like a music video than a proper conclusion, the actors shine, making up for any storytelling shortcomings.