Inshallah a Boy (2023) Movie Review
Director Amjad Al-Rasheed's film "Inshallah a Boy" is inspired by a family member's legal troubles, shedding light on how outdated laws and traditions rooted in misogyny still limit women's freedom in Jordan. While the script, co-written by Al-Rasheed, Delphine Agut, and Rula Nasser, can feel a bit overloaded and its symbolism too obvious at times, the film's well-crafted world and Mouna Hawa's compelling lead performance make it a captivating blend of personal and political storytelling.
Inshallah a Boy (2023) Movie Review
The story begins with Nawal (played by Hawa), trying to retrieve her bra from the fire escape using a broom. Unfortunately, it falls in front of a man passing by, highlighting the clear divide between her private and public identity. Little does she know, that even her safe haven at home will soon be threatened.
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As Nawal stands up to Rifqi's demands, insisting that her dowry be paid for the apartment, she faces a legal mess worsened by her late husband's failure to sign a document supporting her claims. Beyond financial issues, the apartment is solely in Adnan's name because he worked for a company, while Nawal works privately as a caretaker for an elderly woman.
Initially supported by her brother Ahmad, he grows frustrated with her struggle to keep her home and independent life with her daughter. Nawal's co-worker Hassan provides a compassionate ear, but even in his generous offers, Nawal senses a subtle patronizing tone. Eventually, she realizes that true independence lies in self-reliance.
Her interactions with other women in the movie are complex. Neighbor Feryal watches Nawal's daughter but offers little emotional support. Nawal's employer Souad prioritizes appearances over patient care, relying on her husband's financial support. Only in Souad's modern daughter Lauren does Nawal find a kindred spirit, despite initial appearances of differing values.
As Nawal faces legal challenges, Lauren tries to leave her unfaithful husband. They form an uneasy partnership - one aiming to convince the courts she's expecting a son, the other seeking to end a pregnancy tying her to an abusive spouse. Despite finding comfort in each other, Nawal realizes Lauren's dependence on her mother and the cost of relying on others.
Hawa skillfully portrays Nawal's growth through powerful silences. While she passionately argues in court or with family, moments of quiet reflection reveal her depth. Director Al-Rasheed captures Hawa's expressive eyes, peering into the true selves of those around her. In a poignant scene, Nawal gazes into a broken bathroom mirror, symbolizing her transformation from the woman she was to the one she's yet to become.
Despite admitting her cluelessness, Nawal handles each new challenge, showing resilience. While she may not change society or her legal situation, she imparts a crucial lesson to her daughter, Nora. The film's conclusion, with Nora watching proudly as her mom maneuvers a pickup truck, signifies Nawal's impactful example: women can defy societal norms, strive for equality, and take charge of their lives.