Fallen Leaves (2023) Romance Movie Review

 What makes a movie perfect? Well, it doesn't have to fit into a specific genre. A perfect film knows its purpose, communicates its message clearly, and understands that sometimes simplicity speaks louder than words. To truly appreciate its perfection, you have to watch it.

Let's talk about "Fallen Leaves," the latest film by Finnish filmmaker Aki Kaurismäki after a six-year break. Clocking in at just an hour and twenty minutes, this movie is a heartfelt love story that follows the usual storytelling path. A man and a woman, both dealing with loneliness, almost cross paths, eventually meet, face obstacles, meet again, and reach a mutual understanding. If you're a human and a fan of Kaurismäki's previous works, you'll find familiar themes – struggles with alcohol, challenging jobs, and an outside world full of problems.


Unlike Kaurismäki's recent films with a clear social message, "Fallen Leaves" doesn't shout its concerns. However, a recurring theme is highlighted when Alma Pöysti's character, Ansa, turns on the radio – there's always a report on the war in Ukraine.

Fallen Leaves (2023) Romance Movie
This movie is set in the present day, but like all of Kaurismäki's films, it has a uniquely retro look, noticeable in every small design detail. Ansa's radio, for example, has an old-school circular analog dial, and her microwave is as basic as it gets. Even the electric guitars in the film have a specific type of pickup, and if you catch that detail, you're on the same wavelength as Kaurismäki's style.


Ansa starts off as a cashier at a grocery store but loses her job for a kind-hearted act – giving expired food to a hungry homeless man. Some of her coworkers join her in protest. She first notices Holappa, played by Jussi Vatanen, at a karaoke bar. Holappa, a guy who usually finds solace in a bottle, is intrigued by Ansa. However, to build the emotional connection he's seeking, he'll need to make some decisions as he moves through different jobs. While Kaurismäki has never shown an AA meeting in his depictions of drinkers, this movie comes close.


The movie's emotional charm comes from its solid structure. Every shot has a purpose and is executed well. The performances are controlled and subtle. Kaurismäki, known for his deadpan style, surprises with an unexpected warmth in both his storytelling and actors. As is typical in his movies, the introduction of a mysterious dog adds a special touch. Initially called "dog" by Ansa, the dog gets a new name by the genuinely uplifting ending, adding an extra layer of honor to the film. I won't spoil the name – it's too good to give away.


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